Carl Sagan once wrote, “For small creatures such as we, the vastness is bearable only through love.” I have found that love for physics or the universe isn’t enough on its own — it needs to be balanced by our love for each other.
I fell in love with astronomy and physics for its ability to answer the most fundamental questions of the universe. It’s why I initially pursued an academic career in astrophysics. Beginning with undergraduate studies at Oberlin College, I worked with Professor Daniel Stinebring and the NANOGrav collaboration to develop novel techniques for processing pulsar timing data. Having early access to research opportunities and the mentorship of senior researchers in the field was thrilling and fueled me as I progressed in my studies. Eventually, this culminated in a gap year spent on-site at the National Radio Astronomy Observatory’s (NRAO) Very Large Array (VLA) in Socorro, New Mexico. While there, I honed an interest and skill set in Fourier analysis and interferometric imaging fidelity. I worked with Dr. Urvashi Rau to develop simulations of both the VLA and the Atacama Large Millimeter Array (ALMA) — at the time, a young and relatively understudied instrument. These simulations gave us insights into the effects of various primary beam perturbations on the imaging fidelity of the data gathered by these instruments. Specifically, these simulations gave us insights into when more advanced imaging correction techniques, such as W-projection, would be required and when simpler and faster techniques would suffice. This work eventually culminated in my undergraduate thesis — which earned highest honors and the University of Michigan “Excellence in Astronomy and Astrophysics” award in May 2016 — and was later published in the IEEE Transactions on Antennas and Propagation in February 2017.
Getting accepted into UC Berkeley’s astronomy PhD program was the culmination of all my dreams. I was going to work with Dr. Aaron Parsons in his Radio Astronomy Laboratory to develop a new kind of telescope, designed specifically around Fourier sampling theory and the manipulation of spherical harmonics. This would let us observe the global (i.e. monopole) signal of the Epoch of Reionization with an interferometer, allowing our project to avoid the common pitfalls of systematic errors introduced by the instrumentation of a single-dish observatory. We were going to accomplish something groundbreaking — treading new territory for astrophysics and radio instrumentation.
This project was everything I had ever wanted and everything I had been building towards. But it didn’t feel that way for long. Soon after beginning graduate school, federal funding we had been counting on dried up and disappeared. The project was canceled, and I was left without a dissertation.
At the same time, society seemed to lose its mind. Friends of mine suddenly had their visas thrown into limbo and their family members banned from entering the country. Once-in-a-century wildfires burned down huge fractions of the state and all we could do was stock up on N95s to walk to the grocery store. Soon, a pandemic broke out — keeping us distant from our loved ones as they died from a disease we didn’t understand.
As a cosmologist working in a world on fire, I often felt like I was operating in a mirror world. Everything I was doing felt meaningless compared to the suffering right here at home, on this little planet with no one to help us but each other. My problems, my whole life, felt so small in comparison — it almost felt like a joke the universe was playing on me. Studying cosmology gave me this finely honed sense of scale, and all it could do was tell me how far out of step I was with the needs of society.
So I stopped looking up and started looking around. After leaving astronomy, I focused on building connections with my fellow travelers on this pale blue dot. I founded a nonprofit devoted to uplifting marginalized voices. I gave talks, sat on expert panels, and taught classes on DEI best practices. I learned how to write grants and argue persuasively for funding by working in philanthropy, and how to be a leader by serving as the executive director of a nonprofit whose work I believed in. I realized that almost every topic expands like a fractal the closer you look — so I looked deeper at everything and everyone I could.
But I love science. Despite everything, because of everything, I love it. And despite numerous breaks from the field, I can’t stay away. When I got sick with COVID-19 in August 2022, it forced me to reckon with my life and what I wanted for myself. I knew about long COVID and how it disproportionately impacts younger women. Deeper down, in a darker corner of my mind, I also knew that this disease had killed my grandmother a year earlier. I couldn’t help thinking: if I never got better, what did I want to put my limited energy and effort into? And what if I got worse? Is this a life I would be proud to have lived?
I needed a new path. In my time and my various travels, I have realized that there are two things I need in my work: an endless stream of new challenges and a way that I can directly and meaningfully make the lives of the people with whom I work better. I am only happy and motivated by work that checks both of those boxes. Much like transverse electromagnetic waves, it is these strands together that create a self-propagating feedback cycle, keeping me engaged and motivated by my work and always, always moving forward.
That’s where you come in.
Career Highlights.
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Porch Pride
Porch Pride: A Bluegrass Pride Queer-antine Festival was a digital festival featuring more than 11 hours of live music over the course of Pride weekend, June 27-28, 2020. Our purpose was to highlight and showcase LGBTQ+ roots musicians, while also generating financial support for them as they navigated the non-existent performance landscape of 2020, all while providing a gathering space for our community during isolating times.
The original goal was to pay each of our artists at least $200 for their performances. In the end, with the help of an incredible community of donors, grantors, and sponsors, Bluegrass Pride was able to raise over $23,000 for our artists and our mission—allowing us to pay each of our Porch Pride artists $825 for their performances.
Porch Pride 2020 was featured in Rolling Stone Country, and was nominated for the 2021 IBMA Industry Awards Event of the Year.
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50 States of Folk
50 States of Folk is a monthly column published in the world-renowned roots music journal, No Depression. The column aims to explore and understand the regional origins of the modern American musical sound, weaving together the countless individual and cultural influences that led to the music and artistry that we hear now. While the column looks at the folk origins of music, it often ends up in some surprising places—such as the thumping beats of Miami bass, TikTok’s sea chantey craze, and the evergreen popularity of the male falsetto in pop music of every generation.
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Bluegrass Pride Mini-Grant Program
Built off of the incredible success of Porch Pride 2020, the Bluegrass Pride Mini-Grant Program was officially launched in April 2021. This year-round, needs-based program offers small project grants of up to $500 to folks of diverse backgrounds living, working, and playing American traditional music, all with the goal of making bluegrass, old-time, and American string band music more accessible to the people that love and play it.
The program was piloted in 2021, with an initial goal to distribute nine or more grants before the end of the calendar year. Grants from this program are aimed towards providing resources to everyone in the bluegrass community, from beginner pickers to touring musicians to industry professionals. All are welcome to apply; preference will be given to projects led by LGBTQ+ folks, Black, Brown, Indigenous, and Asian people, and women.
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HYPERION
HYPERION, i.e. the HYdrogen Probe for the Epoch of ReIONization, was a student-led research project led by members of the UC Berkeley Radio Astronomy Lab. The goal of the project was to design, test, and build a novel style of interferometric telescope, specialized to observe the average behavior of neutral hydrogen gas during the period of the universe’s early history known as the Epoch of Reionization.
The project was unfortunately cut short in 2018 by the loss of funding stemming from shifting priorities at the federal level.
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Awards & Nominations
2021: IBMA Momentum Award for Industry Involvement, awarded
2020 & 2019: IBMA Momentum Award for Industry Involvement, nominee
2016: UC Berkeley International House Carl & Betty Helmholz Gateway Fellow, awarded
2016: University of Michigan Excellence in Astronomy and Astrophysics Award, awarded
2014: National Association of Professional Women Rising Star General Award, awarded
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Talks, Panels, and Presentations
2021: “Conversations: LGBTQIA+ Identity in Music”, Recording Academy of San Francisco Conversations Webinar Series
2021: “Creating Safe and Welcoming Spaces in the Music Industry”, Welcome to 1979 Recording Summit
2020: “Making the Switch to Digital”, International Bluegrass Music Association World of Bluegrass Business Conference
2020: “How to Create Inclusive Spaces in Traditional Music, Whippoorwill Arts Festival of Americana Music
2020: “Cultural Awareness, Addressing Racism and Being a Person in Process”, Folk Alliance International
2018: “Leadership Bluegrass Alumni Master Class: Diversity, Equity, and Inclusion in Bluegrass”, International Bluegrass Music Association World of Bluegrass Business Conference
2018: “HYPERION: A Novel Approach to Observing the Reionization Global Signal”, US National Committee for the International Union of Radio Science (USNC-URSI) National Radio Science Meeting